confession (2024)
visual autofictions vol. 2
Imagine a small room on the ground floor, dimly lit, closed door, two chairs, it’s chilly. A girl is there, only twelve years old, and an elderly man in a black cassock.
This is what I was told to do. So I sat in these rooms. I sat very upright and still. I stopped myself from biting my nails. I’m sure I was blushing.
I made my confession. It’s simple: you talk to this man while he looks at you. In the name of the Father and the Son. My last confession was months ago. I am sorry for all my sins. I did this and this and this. Someone hit me, I hit them back — only one slap, but still. I got mad. I stole some cash and a chocolate bar. I lied, yes, I did, I am bad. I’m only human after all — I must also be a sinner.
Earlier that morning, I’d made up a list: I would say this and this and this. It does not matter. How many sins would he expect? More than three. Maybe five or six? I shouldn’t seem too eager.
I told him everything I had prepared and made one up right then and there because I felt inspired. What sins did they expect a twelve-year-old to have committed?
In the Bible, Jesus, at twelve, visited the temple — but the people there actually encouraged this child to ask questions.
Anyway, it’s good to get used to this early. You will have to explain things to men until they believe you. You will have to keep saying sorry.
Even back then, my conformity made me feel icky. But these men would always look so serious, walking their slow unyielding walks, feet hidden under lengths of perfectly ironed fabric. Their air of authority was almost convincing.
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